Structures of (No)thingness is a speculative research project exploring how synchronization can be sensed and measured through body posture, attention, and shared physical presence.

The project starts from the assumption that telepathy may have a body-language form — emerging through subtle coordination rather than verbal or symbolic exchange. Grounded in the understanding that humans are electric beings sharing electromagnetic fields, the designed objects function as mediating tools between performers, shaping relational awareness.

Installed site-specifically, the objects occupy the exhibition space while video documentation presents performers interacting with them across different moments in time. Through posture, proximity, and repetition, hints of bodily synchronization become perceptible.

As participants enter the system, perception shifts toward an (im)material field between bodies. Attention gathers collectively, and synchronization becomes observable through behavior — moments when bodies begin to move together without instruction. Documentation operates only as a trace, supporting the legibility of an otherwise abstract, embodied experiment.